Showing posts with label Isle of Wight. Show all posts
Showing posts with label Isle of Wight. Show all posts

Tuesday, 5 October 2010

Stage three, not finished yet...


But on the way there - this again was taken with a flash, so certain parts of it, especially the lighter colours in the lone tree, are exaggerated. I don't want to add a lot more "drawing" with the brush; it's going to look dangerously overworked if I do. But I want to add some subtle glazes over the next few days, as the paint dries out. I've had to add - well, felt I had to add - a little work in Titanium White, in order to prevent it seeming excessively dark. I would have preferred to have started and finished in Flake White, but it just needed a little help. There may be the suggestion of a mast on the hill, as well, just to give a little more depth, interest, and balance the tree a bit. The glazing could well be where my limited palette idea falls down flat, since I'm almost bound to use a few more colours. But so far, this painting has seen Indian Red, Cadmium Red Deep, Raw Sienna, Yellow Ochre - wish I'd used Rowney's, which is a lot brighter - Indian Yellow, Cadmium Yellow, Naples Yellow, very small quantity of Sap Green, Pthalo Blue, Cobalt Blue, extremely small touches of Indigo, Mars Brown, and Vandyke Brown. So not that limited a palette, now I think about it... But: I always have used a wide range of colours in oil and acrylic, as opposed to watercolour - I know that limiting the range is said to bring harmony, but while I think that's true so far as the major masses are concerned, it comes close to masochism to restrict oneself to half a dozen colours, and quite honestly I think some make a bit of a fetish of it.
I shall have several days to let this dry, because I seem to have meetings to the end of the week: most of them to do with the health service, and the Government's latest White Paper, which contains proposals which I fear will lead to the privatization of health in England. Speaking of which, we have an Isle of Wight Council by-election in my Ward - the Labour candidate came to see me this evening to get me to propose him on the nomination paper; 18 years old.... This is far from being prime Labour territory, but I hope people will find the enthusiasm of a young man like this an encouragement to get out and vote. It would make a change to have a few young faces ... I'm especially pleased, because there was a horrible danger that I might have had to fight the seat myself if this young man hadn't come forward: and I'm getting far too old for this sort of thing; I've done it all in the past, but certainly don't want to be doing it into my dotage. Politics aside, it does you good to see a bit of ambition and optimism: and someone who's prepared to face a not necessarily receptive electorate and just have a go. Maybe you've got to be young to do it.... Nowadays, I'm much rather paint.

Sunday, 8 August 2010

Latest effort, and welcome to follower(s)


Well, here we are again. I see I have a follower, and he's very welcome. I've been struggling with an acrylic/Chromacolour - it gave me enormous problems, partly because I've been working on a rigid support, a ready-made MDF sheet with canvas glued to it; it has many advantages (ie, cheapness!) but I feel I'd have got on much better with a stretched canvas. I'm not sure that canvas glued to MDF has much to offer over plain primed MDF; although a rougher weave of canvas would have helped, I suspect. Any opaque painting technique needs some "tooth" in the support - stretched canvas provides this, as does roughly primed MDF or hardboard (which they call Masonite in the USA).
On the Painters Online website, I've suggested that painting is not something which one needs undertake in any kind of hurry - there is no virtue in completing a painting at any particular speed. My latest, which I shall attempt to attach, is an example of this; it required a large amount of scumbling and glazing; it may have lost a little in terms of spontaneity, but in acrylic you either go for the immediate impression, or a more considered approach; not sure that compromises between the two work very well.
Anyway, here it is; a view of Knowles Farm, Niton Undercliff, Ventnor, Isle of Wight; the range of cliff in the distance is Rocken End, and I've taken some liberties with the topography, on the grounds that, if you want accuracy, take a photo.
By the way - I paint in watercolour, acrylic, and oil; it may be that I would do better to concentrate on one of these, but I've seen no real need to limit myself: and anyway, a change is as good as a rest - I think. But, if you have a different view, let me know. Can't guarantee I shall agree with you, but I'm always interested in others' opinions.