All sorts of things have cropped up to delay me this year, but rather than moan about them as is probably my wont, I shall just post my recently completed acrylic, which can also be viewed in all its multi-coloured splendour on www.painters-online.co.uk, and on my Facebook page.
For this one, I used a canvas-covered board by Pieraccini (www.pieraccine.com) supplied by Jacksons' Arts, and used Cryla Acrylic from Daler-Rowney, a bit of Winsor & Newton Artists' Acrylic, and Chromacolour (www.chromacolour.co.uk) for touches of glazing and detail. I'm particularly fond of their Naples Yellow - mixes with greens and blues to make a range of different greens: it doesn't behave anything like oil Naples Yellow, but it's a very useful colour in its own right.
Still looking for help with running my website: I've got a bit phobic about it - what I need is a young person to whom these things seem to be second nature. I shall feel a fool, of course, taking direction from a stripling, but I'd rather feel a fool than continue to be incapable of updating my own site.
So if anyone is out there .... you know where to find me.
Anyway, this painting is provisionally entitled Path to the Marsh, and is 30 by 40cm in size; it's for sale, as all my stuff is; and I have to confess I've forgotten where it was that I made the sketch for it - not that this should really matter very much, because all of my paintings are fairly freely adapted from the scene in front of me anyway. I know it's either Newtown Creek on the Isle of Wight, or a walk near Emsworth in Sussex ... must get into the habit of dating and placing my sketches.....
Painted on a red-coloured base, I used Titanium and Chroma White, Cobalt Blue, Raw Sienna, Yellow Ochre, Burnt Sienna, Prussian Blue, Naples Yellow, Cadmium Yellow Light, and a touch of Burnt Umber. That's my version of a limited palette in acrylic: normally, I use more colours in acrylic than in oil, and more in oil than I use in watercolour.